Through the use of bilingual rap, Latino artists opened doors for non-English presentations of Hip-Hop and eroded the hegemonic English language in what would become the global phenomenon of Hip-Hop ( Fernandes 2011). The “Holy Trinity” of Hip-Hop music, DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash (two with Caribbean roots), all played a central role in the development of Hip-Hop at this time, bringing with them the over-dubbing of Reggae and Caribbean sound systems.įrom the beginning, Latinos, especially from the Caribbean, were essential in the development, dissemination, and diversification of Hip-Hop culture ( Reznowski 2014). Hip-Hop, and subsequently B-boying, incorporated related art and musical forms from Afro-Caribbean, African American, and Latino neighborhoods of the Bronx ( Schloss 2009). Traditionally, B-boys performed to the tune of rap, Hip-Hop, and computerized beats with a distinctive ‘scratch’ or over dubbing sound. B-boy dance forms (breakdancing) are composed of distinct breaking movements, such as toprock, downrock, power moves, and freezes. Hip-Hop acted as a staunch rejection of the predominant, white, patriarchal social order ( Holmes-Smith 1997).ī-boying – a sub-set of the Hip-Hop culture – created an environment that centered on street dance performance, and provided one of the most groundbreaking and innovative artistic forms of its time. Initially, this community served as an expressive outlet for the marginalized youth of the Bronx. Encompassed within this scene were the stylistic art forms of rap (MCing), graffiti, DJing, and B-boying. The Hip-Hop subculture gained momentum, and ultimately swept the music industry. The emergence of Hip-Hop as a cultural phenomenon during the decade of the 1970s characterized a pivotal cultural shift in America. Image of 1980s B-boy kids on the Street, New York City. Commodification, Diffusion, and Defusion.Mapping the Landscape of Sexual Deviance.If you’d like to talk with Angela, our lovely Course Director, about the B-Boying moves you’ll learn on our commercial dance courses before you apply, please get in touch on 02.Toggle navigation Subcultures and Sociology Grinnell College The Chair Freeze is characterized by being supported by one leg and one arm, while almost lying, frozen, on the floor. The Back Spin involves spinning on your back with your legs held tight to your body.įreeze moves are often used to end a move. The Back Spin is a Footwork (ground) move that requires lots of momentum and circular motion. B-Boying moves include:Ī basic Toprock (upright) move, the Indian Step is characterized by folding, opening, and finally crossing arms across the body in one fluid, expressive movement. B-Boying dance movesī-Boying has definitive Toprock, Footwork, and Freeze moves. Knowing B-Boying will help you master Street, Hip Hop and Locking moves, too. As B-Boying is synonymous with Street and Hip Hop culture, it is often used in advertising campaigns and music videos. B-Boying helps develop a whole new set of muscle groups, resulting in a fluidity of movement that is highly expressive and dynamic. Why do we teach B-Boying?ī-Boying is one of the cornerstones of Hip Hop and Street culture.
It’s one of many dances that crossover with Street Dance and Hip Hop, but the key difference is dancing on the breakbeats or ‘Bs’. B-Boying is also known as Breaking or Breakdancing and the dancers are called B-Boys or B-Girls.
However, B-Boying can be traced back to the early days of the 19th century when Folk, Tap, and Jazz were very popular. B-Boying is a highly expressive dance developed in the Bronx of New York City, USA.
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